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Casino4Life

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Here's mine: it's a 1996 Japanese made guitar which I think comes from the Fujigen factory rather than Tereda, with a Maple neck, Gibson style truss rod and neck binding nibs. I added the black guard, witch hat knobs and an old B6 Bigsby, intending to use it as a spare to the ES-330 on the left in the photo, but the Casino has a completely different personality to the 330, so both are seeing regular playing at the moment.

 

Casino.jpg

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Here's mine: it's a 1996 Japanese made guitar which I think comes from the Fujigen factory rather than Tereda, with a Maple neck, Gibson style truss rod and neck binding nibs. I added the black guard, witch hat knobs and an old B6 Bigsby, intending to use it as a spare to the ES-330 on the left in the photo, but the Casino has a completely different personality to the 330, so both are seeing regular playing at the moment.

 

Casino.jpg

 

Those are three really nice Guitars, that 355 is beautiful.

I thought Casinos had mahogany necks? Is it some special edition or do I just confuse things? Still, they are all beautiful Guitars!

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Beautiful Guitar GD!!!

 

 

Red, had I not decided years ago to be cremated, when my days are done here, I would want to be buried in a case, I mean, casket, that was 1/2 as nice as that J Lennon USA sunburst Casino sleeps in. I guess I could have my ashes thowed into one and have "it both ways!" [smile]

 

Aster

 

You know, that is not a bad idea--cremated and buried in a guitar case. You've given me something to think about!

 

Red 333

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021.jpg

Wow, that's a great looking Casino. I have to say I love the nice shine on your finish. Whenever I go into a music store it is the natural Casinos with the gloss finish that always catch my eye.

 

Nice strap, too. Where'd you get that?

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Those are three really nice Guitars, that 355 is beautiful.

I thought Casinos had mahogany necks? Is it some special edition or do I just confuse things? Still, they are all beautiful Guitars!

 

Thanks! I generally prefer P90 guitars these days but I still love that 355.

 

As far as I can remember, every Casino I've seen from Korea, China or the Elitist range has had a Mahogany neck, as did the Kalamazoo originals. I believe some of the Matsumoku and pre-Elitist Tereda made thinlines had three piece Maple necks, and when I was reserching mine I found a second Casino from the same year with the same specs as mine (three piece Maple neck, binding nibs and 17 frets to the body), the owner describing it as a Japanese domestic market model made by Fujigen. I know most people have a preference for Mahogany, but I must admit on a natural finish guitar the matching neck and body look fantastic.

 

I'd be interested to know if anyone else on the forum has a similar guitar, or can shed any more light on the Fujigen models.

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Wow, that's a great looking Casino. I have to say I love the nice shine on your finish. Whenever I go into a music store it is the natural Casinos with the gloss finish that always catch my eye.

 

Nice strap, too. Where'd you get that?

 

Thanks Taxman.

 

That is the Bobby Lee strap that was discussed on another thread. Here is the link: http://www.bobbyleeguitarstraps.com/

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I love the way these Casinos look without the pick guard. I have been debating with myself about off or on. I like it on, but it's high and can get in the way of the high e string while alternate picking. It might just be me since Im a just a bit more than a beginner and not quite an intermediate.

 

You guys find that to be the case, or is it just me and a begginer's technique?

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The position of the pickguard on mine really bothered me, way too close for comfort to the E string. But by adding a second bend in the pickguard bracket I was able to reset the position such that the guard rests on the top of the bridge pickup dog ear - that sorted the problem as far as playability is concerned. How it looks is another matter...

 

I'm not really a fan of the white guard though, maybe if it were an aged off-white I could go for it but the stark white doesn't do it for me. I've temporarily gone for a b/w/b guard on mine, although I'm planning to have a '60s Gibson style guard made at some point.

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I love the way these Casinos look without the pick guard. I have been debating with myself about off or on. I like it on, but it's high and can get in the way of the high e string while alternate picking. It might just be me since Im a just a bit more than a beginner and not quite an intermediate.

 

You guys find that to be the case, or is it just me and a begginer's technique?

I took mine off, then put it back on, when I changed to black PUs. I started with a black Casino guard, then went to the Gibson-type "no-hole" guard. It sits just a little lower, protects the finish and looks good with the foil "E".

IMG_3436-1.jpg

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The thing is archtop guitars, whether solid or semi/hollow, don't need a pickguard IMO, if you're striking the body on an archtop then there's something seriously wrong with your technique. That said, to me, it simply comes down to aesthetics, and I'd much prefer to see the body of the guitar than a lump of plastic.

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The thing is archtop guitars, whether solid or semi/hollow, don't need a pickguard IMO, if you're striking the body on an archtop then there's something seriously wrong with your technique. That said, to me, it simply comes down to aesthetics, and I'd much prefer to see the body of the guitar than a lump of plastic.

 

That's it... She's gettin naked... LOL!

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The thing is archtop guitars, whether solid or semi/hollow, don't need a pickguard IMO, if you're striking the body on an archtop then there's something seriously wrong with your technique.

I've gotta have the guard on my archtops. I play fingerstyle only, using my thumb-index-middle fingers, and bracing the ring finger on the pickguard. Without the guard, the distance to the body would be too great to suit my preference. Luckily for me, I also prefer the manner in which pickguards visually connect the fretboard, pickups, & body.

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I've gotta have the guard on my archtops. I play fingerstyle only, using my thumb-index-middle fingers, and bracing the ring finger on the pickguard. Without the guard, the distance to the body would be too great to suit my preference. Luckily for me, I also prefer the manner in which pickguards visually connect the fretboard, pickups, & body.

Eloquently put.

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