E-minor7

Get ya. .

Could be very intriguing to hear what he has to say about Ian. The young version, , , the middle and the contemporary still living Anderson. .

Let's lean back, Murph, , , and share a good strong glass 🍸. . .

In my view they are extremely talented. Clearly recall their decline (some kitsch mid-70s Sgt. Pepper record !?!) and later the disco-phase which sent them circling in orbit. Wasn't on that team either, yikes, they booked the space, , , but also then knew a good song when it happens. . I'd like to see the person who'll screw this one down >>>>

Point taken - my question was primarily meant as a general question. Who and who didn't understand the significant change of the acoustic Gibsons from 1968/70 and many years on. Talkin 'lay-people' and pros. The Gibbs, who I liked a lot over the many decades, especially in the early phase, would very hard to figure there. They used acoustics yes, but never in that serious singersongwriter way where the Norlin-effects would stand out. And for a good solid strummed rhythm-part inside a song there's even a chance the tight N will be better. I'll have to look into the CBS phenomenon. And agree, , , a good well kept and seriously broken in Norlin can be a fine experience - a different one though. .

That was mighty good - and the dread sounds distinguished proud. Lots of authority in both song- and wood-work.

Only 1 respons ~ Wonder if the bros. ever realized they went Norlin.

Probably the so called Calibrated T-Type humbuckers. Look forward to hear what you think about them.

Always so intriguing - which pic-ups do we hear ?

Zooming in on a 335 here and find it necessary to ask about the 'tabs' on the Tune-O-Matic bridge/saddle. Nylon or steel-chrome ? What is the difference on an electric guitar. Bass-mid-treb-wise. . I'm certain this is the best place on earth to bring the Q forward. Even though it may be hard to describe the 2 flavors. Thx.

Splendid work, Olive 🎖️ Keep all senses awake , , , , and take a good long weekend. .

Ouch, , , unbearable. .

Yes, I get that too. Has become harder for me to post pictures - also by Imgur. Still use it though - load up there and now copy Direct Link. Try Imgur, sir.

Yes, I get that too. Has become harder for me to post pictures - also by Imgur. Still use it though - load up there and now copy Direct Link.

Better stay safe inside that groovy uke, Buc - apart from that it would suit you well. . May Santa be the great decider.

Wonder when this happened, , , and if there are pics, , , and sounds. .

Don't know if the new one would fit like hand in glove, but basically yes. You (obviously) need the be aware of the exact scale-length, , , and perhaps compensate by the saddle. This of course would be harder if the 66er still has the adjustable ceramic or rosewood saddle-insert. I had a 1966 CW which got a long scale Gibson neck - but the adjust. had been fixed already. The luthier moved the new standard sized slim saddle. Good luck - have the feeling finding a free flying neck is a challenge in itself. Do tell more as you go.

This seems to be one of those instruments that can create miracles on a track. Well, , , , maybe it doesn't even need a track. . I'm sure it will blend well with your wife's 200.

Thanx for posting this - unknown here, , , was moved by it. .

Yawza ! that's some heavy news. Thanx.

Congratulations ^ it looks stunning. Some guitars have a certain authority about them - count the Guild above in. And heps for that serious 'Triangle of 36-bronze'. Never ever heard of anything like it. An impressing'n'original passion. I 'only' have an older Ibanez here - when asked it says "I'll do my best, yes".

Hehe, , , yea, censorship wasn't invented yesterday. The butcher-cover got the knife somewhere around 1966. .

Thx - what a relief. .

Okay, the climbing kids are siblings, which doesn't move the immediate interpretation of the scenery : Young fans exploring rock/rocks. Is your woke-statement serious - has the cover been censored/altered in re-releases !? Anyways, the outer motif doesn't really blend with the inner gatefold. And the same can to some degree be said about the 'Zep 4' sleeve. Yet I personally like the idea of the old torn down house with wallpaper & framed picture in contrast to the modernistic block in the background - and in that context the branch-carrying geezer may work. Still it's a strangely sentimental point-of-view or angle when considering we're talking a progressive rock band in the midst of a cultural explosion. That said, it was just a few years after a new conscience regarding the irreplaceable value of some older buildings/scenes/environments was bein brought to life over here (don't know 'bout US). Up til circa 1968/69 all new was considered progress - and tearing down old miserable stuff didn't cause much reflection. The Zep-camp might have sensed there was an awakening zone in between. .

It's the same kid, isn't it - the same young fan exploring the ROCK realm. But an old burdened man ?! , , , found on a market by the front singer. . .